ENIGMA BRACELET
There is a moment, familiar to many artists and designers, when the work stops being about isolated form and becomes about transition.
Mark Rothko spent years trying to understand how one color could lead to another without rupture.
Gerhard Richter spent decades arranging colors in sequence until the eye accepted the transition as natural.
Dieter Rams always said that good design does not draw attention to itself, but to the logic that sustains it.
Enigma comes from that same place.
Not from the individual stone, but from the interval between them.
From the space where an Emerald ends and a Diamond begins.
From the challenge of making this transition feel neither forced, nor obvious, nor gratuitous.
Gathering the gems took time. Not because they were rare individually, but because they needed to belong to the same reasoning. Tones too close created no tension. Tones too far apart broke the sequence. The gradient only appeared when each one found its place.
The result is exact. The gradient ends precisely where it should.
DETAILS:
Emeralds
Diamonds
18k White Gold
